centrifuge ep part 2 is the second vinyl release on this hardgroove techno german label. one more time with creme de la creme of hardgroove’s best music producers. second part of centrifuge ep contains remixes from f.tek, dj brutec, eric sand and mark malle. mr. f.tek is bringing to our ears a really good hardgroove beat with heavy kicks and nice percussions. dj brutec remix sounds as always great. heavy kicks, heavy hihats and dark percussions for a real good hardgroove sound, definitely a club burner. eric sand s remix is one of the best remixes on centrifuge ep’s. his killer bass and hihats are destroying every sound system, definitely one great track for every hardgroove fan. mark malle s remix is more progressive and with his bpm under 130 perfect for afterpartys or chillin. centrifuge ep is for all people, who love hardgroove techno and we from kickmasomeass label will bring you only the best from the best. hope you all will appreciate our work and will support our label in the future too. may the hardgroove be with you

the deewees say: we met bolis in 2006 via myspace, and then later in real life when we toured asia. to escape the unbearable boredom of his native macao, bolis had decided to try his hand at making electronic music - inspired by a jean-michel jarre concert - and we have stayed in touch all these years. this record is the result of bolis visit to deewee in gent where he was enchanted by the world of analogue synths. we should also mention that bolis had a previous life as south east asias number 2 rubiks cube champion in 2003. think logic system and telex. sleeve design by ill studio.

deadly groovin monster! slow tempo tracks for body & mind, featuring the swedish pairing of dorisburg and efraim kent, and esteemed japanese selector dj nobu, offering a rare original production, on the a-side. the flip have a beautiful cut from iori, called upon once again. completing the set is italian duo naturalelectronic.system. with an awaited classy production.

over seven years of grounded theory and a clutch of celebrated releases to his name, henning baer has already proven himself one of the finest berlin has to offer. with the launch of his manhigh imprint, he takes the jump to full control of his own output, freed of the constraints of collaborators and outside artistic direction.

concepts and ideas come fast and furious to berlin trio brandt brauer frick. having turned heads from the groups inception with their classically-informed approach to creating techno compositions with acoustic instruments, bbfs output has been characterized by a restless creativity. the search for new sonic territory lead the group to record with a full 13-piece orchestra, and later to strip down their sound to sparse arrangements featuring more electronic textures, and to record an aggressively diverse dj-kicks mix on a legendary club sound system using only vinyl dubplates

this first release from parisian crew deviant disco, reflects the spirit of their parties and their tastes. open minded diggers, looking for unknown gems to share, this maxi is aimed for djs with a wide range of style : from afrobeat to newbeat, or balearic, italo disco, proto-house, with their french touch and sunny vibe, this tracks will make the dancefloor burn.

diameter: 29.5 cm
thickness: 1.8mm

this mat is made of an engineered cork and rubber composite material, used to dampen vibration before it is radiated as noise and before it is transmitted to other system components. enables better sound quality while playing music by adhering closely to the vinyl record which suppresses the resonances arising and creates a quiet background, improving the sound quality of every turntable.

high mobility weapons unit continues its exploration, entering an unknown solar system and landing on a desolate mining planet. the counter rockets ep is the second release on the imprint, drawing influences from heavier, lo-fi territories, whilst still maintaining hmwu s characteristic space techno sound. the a-side starts off with the title track, counter rockets , which is a dj tool that combines functional bleeps with machine processed percussion. a2 serves up abandoned interstellar tomb , a fusion of atmospheric deep space bass and jacking drum patterns. on the b-side, deep sea deposit kicks things off with a poly-woven synth line that contorts and shifts throughout the track. finally, excavation site rolls along with its muted melodies and haunting fx, all built above a floor of sub-bass.

there is significantly more than a scintilla of exuberance on cosmin trg’s first 2016 venture on his own fizic imprint. number four in the series further explores the dense textures present on last year siiiep, but largely dispenses with the ennui in favour of a different discourse. oblic offers a brisk groove that ebbs and flows among graphite-thin layers of percussion and sonic debris. the recurring dust sample amplifies the vigorous rhythmic attributes of the track, rendering it withprime dance floor capabilities. serpenti takes distant sparkles of mutant chimes, wraps them around the relentless pulse of thudding kick drum and soaks everything in static. granules and grit are extracted from circuitry with a focus on razor sharp sound system efficiency. produced by cosmin trg, transformed by matt colton at alchemy mastering, with original artwork from cosmin himself.

maximized horny beats from the copenhagen underground posse! the 2nd ‘liderlige rytmer’ compilation featuring a fresh batch of local house heroes. a throbbing, thrilling v/a containing five originals ranging chugging bass beaters, oldschool 909 bangers to beautiful, dreamy groovers. on this 12” you’ll be introduced to: terry tester, drøm aka. frits carøe, b from e, anders dahl plus label owners daniel savi and daniel bruhn j. (aka. dee brown) as system d.

four raw club oriented tracks signed by js and andee under their moniker rk’s. recorded during two days jams session, the ep is a mix of electronic deep atmospheres, delightful synthesizers, filtered drums, dirty cuts and hypnotic grooves.

the first 12” form new imprint un.t.o records. they present raw ambassador aka antonio barbetta’s debut which includes five unrefined, hardware only, hammering jams designed to punish dance floors.

fresh from their remix of jinx *car full of herbs*, bristol/london bass specialists vinyl junkie & sanxion return to asbo records alongside legendary reggae singer bushman with *talk too much*. things get busy from the start on the original dnb version, a tightly packed and weighty amen break welcomes in bushmans thoughtful melodic vocals with dubwise horns and instrumentation recreating that timeless reggae vibe at 170bpm with snatches of bleeps and pads that hint at vinyl junkie & sanxions oldskool hardcore/jungle history. dj westy on the remix fattens things up bringing the bass to the front for a real sound system smasher. the 140 remix retains the main elements of the original with added dirty bass and half time drops perfect for festival season, guaranteed to be a crowd pleaser for fans of breaks reggae and that early rave sound.

after a stellar 2015 that included 12”s from bas ibellini, kool d and the newly formed collaborative trio of the martinez brothers, jesse calosso and phil moffa seth troxler and the martinez brothers ready the next record on tuskegee music the first of 2016 which comes from good friend butch.

with that combinded choice you don´t have to hesitate. put your sound system to the max and enjoy the sounds. hesitate ep is number 80 on stylerockets, the berlin imprint of the kiddaz fm music group. dompe, berliner-of-choice since 2011, shows once again his multifaced talent being a producer. hesitate is the warmup on the ep and makes you fancy for more stuff like this. with rosey he chases another techhouse cutie. brilliant bassline, a laconic vocal and suddenly your start to move. we go on with warehouse blues, snapping the fingers on our way to ...

a dark rain falls on the reeds. the girl stands in the marsh. night birds are wailing. slowly she sinks in the water. no other way. an immaterial wave swells around her. the voice echoes on the other side of the liquid wall. going. she reaches her hand out to the translucent water and passes throughÓ her entire body, shivering, travels across. gone. she falls down the self-sufficient hole. the white noise of the water becomes unbearable. deafened, the girl tries to escape the surveillance of the sonar system. she finally crawls out of the aqueous tunnel : in front of her, lay the basses-terres

the prolific keita sano drops four tracks of electro driven machine workouts for turbo capitalism. spanning from chicago inspired bumping bass lines, eerie pad work and full on funk edits.

roly porter bildete gemeinsam mit jamie teasdale (kuedo) das elektronik-projekt vex d. auf dem label planet mu feilten sie an stücken, welche die grundlage zu jenem sound bilden sollten, aus dem sich später dubstep entwickelte. nun ist roly porter bei triangle beheimatet, und er verschiebt die koordinaten seines sound-desings. waren seine beiden vorangegangenen roly porter alben von der idee beseelt, klangwelten zu erschaffen, die ohne rhythmus auskommen und sounds enthalten, die keine konkrete stimmung oder persönliche erfahrung verarbeiten, so erschafft er mit -third law- einen brückenschlag zu seinen anfängen. zwar halten nun wieder vereinzelt rhythmen einzug in seine stücke, jedoch werden diese derart verarbeitet, dass die funktionalität von club-musik völlig außer acht gelassen ist. die acht entstandenen sound-landschaften sind jedenfalls von majestätischer schönheit. das doppel-vinyl erscheint inklusive download-code.

101st vinyl strike we re honered to welcome niereich to 100%pure.

strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

the second issue of tiptop audio records attests to the labels attitude towards developing a nuanced sound set to become a standard for production.?the line-up for tiptop records includes big names of a scene now described as modular techno, which consists of a fast growing group of artists interested in expanding their compositional techniques through modular synthesizer systems. the vinyl format is a testimony to the labels dedication to produce music in a physical form. the result is a?four side, double lp packaged in original artwork (including a special poster) by italian artist matteo giampaglia, with handmade lettering by caterina scardillo. it is an invitation to a territory of oscillations, and?a trip of 10 (+ 2 extra digital) tracks that reconsiders the concept of sound design applied to electronic club music

2016 repress , trying to go deeper with this one, the feature cut is a transformation of disco tune into a jacking house groove with techno sensibilities, can be played on a huge system in a techno set and sound right, and the rest is exploration. rare controversy era prince with gary numan keys, a 90 second piece from liaisons dangeruses first project ch bb transformed into a monster, and a 1980 jam from sci-fi rockers chrome revisioned

phillipi and rodrigo have a fondness for synths and classic brazilian sound. side a is a playful acid sound created thats been thoroughly road tested on the despacio sound system. side b is a tight modern balearic beat for the slower dancefloor. sleeve design by ill studio.

from field recording to analog machines, sound design and acoustic instruments. - reflecting on the sounds of our lives and their perception by our mind, - four - ghosts - were born. - the spontaneous realisation of an emotional connexion with a sound (the birth) and the feeling it can create in our mind, body and soul. (the story) first, the ghost is born, acknowledged and captured: rain falling, airplane passing by, metal grinding, underwater impacts, birds in empty spaces or other sources of raw sounds combined to form a spectrum of emotions, a personality. then, the ghost is understood, carefully tamed, manipulated and controlled to become part of the host s identity by the pure continuity of the cerebral activity through the nervous system and the being itself. eventually the consciousness / awareness of the moment is integrated and the ghost becomes the experience. (the source)

shadeleaf no.9 sees city fly s jonna step up with a superb ep ! vocalist erik rico graces title track through the night , a serious piece of deep, disco influenced dopeness that follows the classic us house blueprint, but with that all important uk grit in the construction. a2 & 3 cater for the labels love of lo-slung sample house, with music for people really shining as a thumpin sound system jam who better to tackle the beautiful title track than ny born, detroit grown bad boy kai alce ! his recent sandman & riverside joint has been testing a few speaker stacks these last few weeks, so the label couldn t wait to hear his versions of through the night safe to say, he doesn t disappoint ! a disctinctive vocal rub that recalls classic ron trent, and a stripped down and deadly kzr dub - roots house at its finest ! another shadeleaf sureshot !

*dubble attack* is the ultimate deejay selection for producer legend glen brown including u roys king tubby sound system special *number one in the world*, big youths instant rewind *opportunity rock*, three of i roys hardest and hardest to get tunes along with a trio of killers from prince jazzbo and many more, released in 1972 to 1974 on glen browns jamaican label pantomime. in total 14 tracks of highly desirable recordings from the most collectable label of them all, engineered by king tubby. remastered with expanded sleeve notes *dubble attack* is the must have deejay round-up no serious reggae fan can be without. available as cd (digipak) and lp-vinyl with new lacquers cut by kevin metcalfe at soundmasters.

asusu made his debut in 2009 for the inaugural release on project squared, combining his passion for garage with a newly discovered love of techno. since then, his sound has explored new recesses of uk dance music, re-appropriating house and techno within uk sound system culture, all the while retaining his early ties with the dubstep/techno axis. his latest venture has been the creation of a new label called impasse. he also works with peverelist and kowton as part of the livity sound label and live show, where his blend of influences contribute to the trios shared ethos of creating uncompromising, raw music to dance to.

idealistmusic goes in the next round, for the first time without the label head. thomas wood, since the track flowing ocean a part of the label family, delivers us four tracks which bring house, dub and ambient sounds together.

veleno viola is proud to present the 2nd release by italian artist mace. as economic complexity is boosting the financial industry, constantly increasing the demand for financial services, human perception of value changes and so do our reactions and our feelings. i asked myself whether nowadays we are witnessing a financialization of emotions. splendore finanziario wants to reflect on the correlation between human nature and the financial system, considering the intensity and the way in which they re changing and giving a sonourous vision of their future developments pink vinyl jacked in gloss printed sleeve.

it is the year 2015, and the easy money remix series is back! it may even be 2016.. who even knows anymore with the irksome delays at pressing plants these days. the outside agency - as part of their never-ending quest to obtain more speedboats - have sourced yet another batch of remixes from their friends for the highly anticipated follow-up to 2007s easy money remix ep. dither, wavolizer, mindustries and igneon system are the first four artists to deliver their undoubtedly smashing renditions of their favorite tracks by the outside agency. part iii is coming up next, because these speedboats arent going to finance themselves. highly recommend by speedboat salesmen everywhere!

hard and deep techno! vinyl only, get your copy!

norwegian producer stian gjevik returns with his third full length album as cn with the derelict. the sequel to his 2011 concept album the expedition beyond (wil-ru records), the derelict unravels a new chapter in the story of a space traveller wandering the galaxy in his starship only to crash-land on a foreign planet and encounter new lifeforms. the shuffle of crisp airy high hats and punchy robotic rhythms lay down the framework for cn s signature cosmic sound. beautiful hardware based electronic sounds paint a colorful soundscape with blissful arpeggios and soothing washed out synth pads over groovy moving bass-lines, creating lush atmospheric listen that is as chill as it is suitable for the dance foor. ten new tracks of highly melodic motivating braindance music to get utterly lost in... this limited edition lp features cover art by adam burke and design by eric adrian lee. limited to 500 copies from weme and wil-ru records.

june records presents concept 1210, a collaborative project between we are monsters, ratlife records, nation and june records. represented respectively by all the wild eyes (solar), credit 00, naughty wood, traxx, the pedestrian, villan x ,trenton chase and june. concept 1210 is a contemporary take on diy electronics, introducing nu-no wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. “my sin” by the pedestrian with credit 00 is a recording from a live performance in 2010 at hellerau festival in dresden. june s -the legion- is a studio recording made with a korg kpr-77 and a modular system that transits to electronic chaos. “character” is the result of the uninhibited collaboration between aficionados villan x and naughty wood offering a new demented take on diy electronics. * protection* is the outcome of the first collaboration between june and traxx resulting to riot electronics. *all the wild eyes* offers doggo with vocals by credit 00, a psychedelic - 10 minutes long - boss dr-55 driven piece. trenton chase s * prowler* is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

three different sides of hodge. an epic grime meets techno banger that can destroy any sound system, a deep sci-fi techno roller and a melancholic house tune. something for everyone.

raigie knowes first annual fundraiser in aid of international charity war child orchestrated by the craigie cartel. all profits generated will be donated to war child. tracks from daniel waples, lord of the isles, bicep, asok, move d ft. gerd janson, the burrell connection, neville watson, hammer & ludd and amir alexander & cecilia bruun hansen (the binary star system). music spanning instrumentals to acid house.

its time for an overdue reunion as a long time friend makes a return to the upon.you family with a new vinyl exclusive single these days. and of course were talking about the belgium-born sammy goossens, better known as sierra sam to all lovers of quality techhouse beyond, who is about to release his remember me 12 on our vinyl only offshoot uyx series in fall 2k15.

chapter iv in the wasteland series... well done

2019 repress! the pan-american highway is a network of roads measuring about 48.000 kilometres (30.000 mi) in total length. except for a rainforest break of approximately 100 km (60 mi), called the darién gap, the road links almost all of the mainland nations of the americas in a connected highway system. according to guinness world records, the pan-american highway is the world s longest -motorable road-. however, because of the darién gap, it is not possible to cross between south america and central america by road. the pan-american highway passes through many diverse climates and ecological types, from dense jungles, to arid deserts, some of which are passable only during the dry season, and in many regions driving is occasionally hazardous. jake silverstein, writing in 2006, described the pan-american highway as -a system so vast, so incomplete, and so incomprehensible it is not so much a road as it is the idea of pan-americanism itself-.

common edit makes a thunderous return with their 10th release and to celebrate, they re going big! 5 a whole extra 5 inches to be exact, extended cuts to keep the party going ! some of the usual suspects providing the bits and pieces on this 4 course meal. supplies for the a side brought to you by the winsome duo of khotin & dane, and their two terrifically eastern numbers imho and system . while the one and only eddie c and dane team up for a cut each on the b side. dane hands over a familiar giant with i want more and eddie ends the trip with his psychedelic guarantee in his endearingly titled one for dane . no stamps this time, dane s wrists need a break but no expense was spared in this deluxe offering. as usual, copies given away at the release party in edmonton, canada at -the common-

after landing his malfunctioning px-4000 on the purple planet, captain dmx steps out of the smoldering cockpit. after barely setting foot on the dusty landscape, the captain is startled by deep thudding from over the hills. dragging his oxygen pack with one hand and his atomizer with the other, he sets off in search of the other-wordly din. over the hill his pupils adjust to the stroboscopic lightning and below him lies a sea of strange creatures moving together as one body. a cosmic sermon takes place under the three suns in the sky, mechanical and stuttered frequencies set a manic pace and drive the dark creatures back and forth. captain dmx sighs a heavy breath and starts to descend into the fray.

repress 2015 ... a very special set from james t.cotton and d marc cantu on mos deeeeeep. desolate cities drops hard on a system. the classic sound from tomorrow! tip! more mos deep goodness! after their collaboration with traxx on a previous mos-release, james t. cotton and d marc cantu team up as 2am/fm for more serious chicago house roughness. quality chicago house!

audens third ep sees the shadowy producer stride familiar lengths of eclecticism while dipping into fresh sources of inspiration

jel ford returns to drumcode after his highly anticipated remix of alan fitzpatrick s for an endless night. ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking. heavily featuring on adam beyer s drumcode radio both red mist and overcast have gained heavy support from dj s and fans alike. ode to basement is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

brainwash is back. after an excellent acceptance daybreak the time has come for miniature, another ep of one of the leading techno producers in poland - larix. edition consists 4 tracks (including one bonus, released earlier on the limited compilation leisure system). from start to finish the material is notable for characteristic groove - simply techno.